Dana Katherine Scully (
faithfulskeptic) wrote in
what_wings_dare2022-09-09 06:57 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
Entry tags:
🅧 Please explain to me the scientific nature of 'the whammy'

[ n a m e ; ] | Dana Katherine Scully |
[ c a n o n ; ] | The X-Files |
[ g a m e ; ] | spicy times in ![]() |
{ ACTION / NETWORK / VOICE / WHATEVER WELCOME }
no subject
"I really didn't," she says fondly.
no subject
no subject
"Mulder!" She's half exasperated and a little terrified and overwhelmingly, distractingly, hopelessly in love with him. The part of her that improbably wants to tear him away from dusty files and play house in some suburb where the sun shines and the monsters are imaginary is much louder than usual. Not a fair circumstance at all.
Should they be thinking about it? Is she supposed to take this as the world's worst proposal?
"I'm not sure you can legally marry anyone until your paperwork's fixed," she points out, which is definitely not her stalling. Nope, not a bit.
no subject
(She could be. She's been clinging to him like he might fade away if she doesn't keep hold of him. They both know she loves him, and vice versa, but she's independent. She's been planning motherhood as a personal project. She might say yes, but she might say no, and he'd like to be sure.)
His gaze is soft on her, a little sad. "If you're interested, you don't care about the paperwork. If you aren't, the paperwork's irrelevant."
no subject
Enough of a point that, carefully, she moves; she lets go of his hand, she moves her whole body so she can face him. It's not so easy, right now, to turn, and it's essential that if they're talking about this, they talk face to face.
It's the kind of conversation she's not very good at having; they both know she loves him, but it's much harder to say that than to live it. But this is different, both more and less complicated; it's about them but not only about them. What's best for William? How can they balance their needs, and his needs, and the devouring needs of their work?
"The paperwork doesn't matter," she concedes, reaching up to touch his cheek-- the familiar bit of stubble, the faint scarring still there from his captivity. "I've been your widow for months."
no subject
"I know," he murmurs, his cheek tilting slightly towards her fingertips. Instinctively, he reaches for her other hand; after so many months of pain, made more incomprehensible the longer he's back, he wants the comfort of her touch. "And - I'm sorry."
The one thing he's willing to apologize for is the thing he's pretty sure he couldn't have done anything about. But he hates the thought that she's been alone throughout this ordeal, carrying a child unlikely to know its father. Scully's had to be strong, stronger than he's ever asked her to be.
Of course, that sorrow doesn't actually give them an answer, only a place to start. "What do you want to do?"
no subject
"I don't know," she sighs, her fingers skimming up to brush away a strand of his hair, but not straying from his face. "I'm not sure wanting is the right question. Is it that easy-- could we just walk away, get married, get a dog?"
There's a wry note to the question; of course they can't. It wouldn't suit either of them, not after everything they've seen and done together.
"I've gotten everything that matters, and more. Am I being greedy if I say I want to--" Her breath stutters; it feels momentous to say this kind of thing aloud. Impossible. "To be a family?"
no subject
Again, he says, "I don't know," but this time, he chases it with, "I've solved the mysteries that mattered most to me. I've experienced some of the most extreme possibilities out there."
But he doesn't feel done, something he'd bet isn't the answer she'd like to hear. The compulsion to keep going, to seek more even when it might only cause them both heartache, is hard to refuse. The fate of the world still hangs in the balance. Can they really raise a child knowing that an invasion might be coming? "We'd have to leave it behind, Scully. All of it. Is that even possible?"
no subject
"I don't think-- I was going to take some time, but I don't think I would have quit." Even when his mystery had been solved, neatly wrapped up and buried six feet under, it felt like chasing secrets forever was the best way to honor him. Maybe someday she'd be able to explain it to their child.
"But how can we keep going, either? Both of us constantly in danger..." She sighs. "I don't know. We can't keep pretending there's nothing between us. Not with him."
no subject
Which isn't really what he's trying to say, but it's getting close. Mulder tries to think of how to ask it without sounding like he's trying to push her toward the kitchen to make him a sandwich. "If you didn't have to work, would you still want to?"
It's hard to picture her dropping the Bureau in favor of being someone's full-time mother, but she has the chance, and they both know she's unlikely to get another. Maybe she could start wearing those weird jumpers that moms seem to acquire, the ones made out of denim with little embroidered animals and flowers on them. He'd be miserable without her, of course - Agent Doggett's still an unknown quantity, and the reality is that Scully's always more likely to get along with people than Mulder is, so her opinion of him doesn't help much - but he has to consider the possibility that the next chapter of Scully's life doesn't revolve around a basement office full of porn.
no subject
A few months. Maybe a year, she could have imagined that, and then her mother could have helped, and she'd had a folder of research on daycares and programs and pre- kindergartens. All of it long discarded.
And Mulder would have kept working-- maybe with a new partner, maybe just waiting. Maybe he would have found a better fit. That's always been a danger, but no matter what happened, they would have stayed close.
"We never had to talk about it then-- what you would have wanted. I think I was afraid to ask-- that maybe you wouldn't want anything at all."
Needless to say, it's different now. William may not have been planned, but he was the outcome of a sea change in their relationship; a product of particular evolution.
"I don't know if they'd let us work together, if we married. Even if we don't-- I can't imagine no one would guess you're his father. But I hate the idea of giving everything up."
no subject
Not that he does now, exactly - claim is simultaneously caveman and aspirational - but there's more room to talk about it.
"If you leave my name off the birth certificate, that'll get us a little further." It's no great loss, he reasons; he knows the truth, and he's not about to get bent out of shape by some incomplete record-keeping on the part of the Social Security Administration. When William's old enough, he'll know, and that's what matters. "Skinner'll go to bat for us, not that it'll matter much with Kersh on the scene. And I'll play the distantly appreciative coworker -" this with a tease of a smile - "if it keeps you on the X-files."
no subject
"If you hadn't come back, I would have left you off," she admits. It's not exactly a decision she's proud of, but it's the pragmatic one.
"I don't know what I want." Hasn't that always been her problem? She knows what she should want, but that rarely aligns with the hungers inside her. She wants to keep her job and she wants to keep him, to have everything, no matter how contradictory.
"I hate the thought of pretending he isn't yours. Even if that's the safest option, you shouldn't have to."
no subject
It's starting to feel possible, or at least like something he could live with: help Scully from afar, dote on the boy in private, wait for the chance to be truthful about their relationship. If they could just secure the world's future, prevent colonization, end the Syndicate for good - if they could, nothing else would matter.
"And what I want is you," he goes on, his gaze catching hers again. "You and - and William, and to make sure there's someplace left for him to grow up. I think we have to do it, for his sake."
no subject
But she looks up at him again when he keeps talking. It isn't what she wants, not really-- but he makes it sound like it could be enough.
"Say it again," she demands, barely more than a whisper. That's what she's been aching for.
"Tell me you want this."
no subject
She's the only thing he remembers wanting, aside from an end to all the torture, while he was gone. She's the only thing he wants now - though even he might be able to acknowledge, privately, that it's easier to say that when he doesn't have access to the X-files. A kid, he's unsure about, but not for the kid's sake. He has no idea how to raise a child, what you should say to it and how old it should be before you let it stay up until nine PM.
But it'd be half Scully's, too, and she clearly knows what she's doing. He could be the fun dad, and he'd see every bit of Scully inside that boy and love him just for being part of her. He could do that, he thinks, whether it's from a distance or inside the same apartment. (House? A kid should have a house, it needs a yard to run around in.)
no subject
And for a time she'd had hope of being able to tell him. When they'd found him dead to all appearances, she'd had to let the fantasy go, and try to face a future where all William would ever have were stories, newspaper clippings, the echo of his mother's loneliness.
She scoots closer again, wanting to be near him, to lean her head on his shoulder.
"Worrying that I'd wasted my last chances to tell you what you mean to me."
no subject
In the moment, he's wrapping both arms around Scully, hugging her in against his side. She needs comfort right now, and so does he. Hell, maybe William needs this, too, the unconscious knowledge that his parents are safe and - for the moment - content. "Besides, you tell me every day."
It's an easy out, if she wants it; he knows perfectly well that asking her to shout I love you from the rooftops would be unfair.
no subject
She sinks against him, taking the comfort he's offering. Before losing him, it might not have been easy to be so vulnerable-- but everything since then has given her some perspective. You never know when your last chance is. She curls her hands around his arm.
"I don't know why it's so hard to tell you I love you," she says softly.
no subject
"Because you couldn't," he murmurs back, his cheek pillowed against her hair. "And probably something to do with repressed Catholic guilt, or the phases of the moon. But you didn't have to say it out loud. I knew."
no subject
But saying it-- it feels different. There's a part of her, she thinks, that has always feared admitting her feelings. And another part of her that's faintly, irrationally superstitious; but surely they're past the point of worrying, there. She's already lost him and been lucky enough to find him again.
"But you deserve to hear it."
no subject
It doesn't actually matter, this theoretical world that never was. He'd been taken and tortured for samples, and she'd been tortured, too, if in a different way. That time will never come back, and he might always regret it, but they're here now. And
"Well," he points out, tapping his fingers idly on her belly, "you have plenty of time now. Anything you want to get off your chest, Scully?"
no subject
But after everything-- he deserves better than the assumption, the hint of it.
"I love you," she says, before she loses her nerve. "More than I know what to do with. I thought-- I spent so long trying to understand how I could go on without you."
no subject
And since she's been willing to say it, the whole thing, the exact phrase they've skirted around for years of their lives, he rewards her in turn. "You know what I thought when you first came down to the basement, Scully? Why couldn't they have found an ugly spy? Instead, they found a genius with great legs and banished her to my office.
"I'm not going to lie to you and say I loved you even then, but it wasn't that long after." He'd been drawn to her back then, and maybe that wasn't too far off. Fascination turning to love, given time and a few well-placed near-death experiences. More seriously, his gaze turning intent: "I'd say it every day if I thought you'd want that. I love you. I love you, and the thought of getting back to you was the only thing keeping me alive some days."
no subject
But the world doesn't end. Mulder doesn't disappear.
His words make a fresh round of tears well up, and she sniffles. Not the demure, half-choked polite sniffs from before but a godawful, just-on-the-wrong-side-of-controlled, wet snort. If she were any less a master of ironclad self-control, she'd be wailing. She feels like her heart could break, or burst-- but below that she feels, miraculously, safe. Mulder is one of the only people left who she can trust will put her back together if she falls apart.
"I'm sorry-- everything sets me off these days," she murmurs, scrubbing at her eyes with a sleeve.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
I could swear I already tagged this oops
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)