Dana Katherine Scully (
faithfulskeptic) wrote in
what_wings_dare2022-09-09 06:57 pm
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🅧 Please explain to me the scientific nature of 'the whammy'

[ n a m e ; ] | Dana Katherine Scully |
[ c a n o n ; ] | The X-Files |
[ g a m e ; ] | spicy times in ![]() |
{ ACTION / NETWORK / VOICE / WHATEVER WELCOME }
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But she's not crying, and if he doesn't make too big a deal about it, maybe she won't start again. At some point, she's going to give herself a headache.
He can't resist answering, though, rewarding her just as the Mystery Science Theater 3000 theme song starts playing. (Who, after all, would bother watching Manos without a few robots?) Mulder kisses her forehead. "I love you, too, Scully."
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With a soft sigh she relaxes against him, and apart from the prolonged crying jag that's left her eyes faintly itchy, everything in the world is perfect.
"This is a really bad movie," she murmurs after a bit, quietly delighted.
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"Terrible," he agrees. He's slumped down some, his feet on the coffee table, and onscreen, Torgo's theme music plays. "One of the worst I've ever seen, if you want to know."
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"How many times did you watch Plan 9?"
Maybe they could get married. Maybe it'd be enough, to live like this-- to have him come home to her and William day after day, to give up mystery for stability. Right now-- drowsy and content, worn out with tears and overwhelmed with relief-- it seems possible. (She knows herself, though; she's too stubborn and curious not to want to keep her hand in.)
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Said like a come-on, possibly because it is a come-on. This is so comfortable, so like before the abduction - only better, he thinks, because there's no real sense of secrecy tonight. She's here, she'll stay here, and anyone who's surprised by that can direct their commentary to the nearest hole in the ground. It's enough to make him want to say stay, move in - or I'll move in with you, or we'll find a new place -
It'll look different tomorrow, probably, but right now, he wants to believe.
I could swear I already tagged this oops
"No double feature tonight," she decides. One bad movie is bad enough. But in its way it's a counter come-on-- because after this she plans to let him take her to bed, and while it's probably not the best way to be subtle about William's parentage, she's determined to spend as many nights together as they can get away with, for the foreseeable future.
"But I could fall asleep watching it some other time," she teases.
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Will he even have to deal with that? Imagine Scully with an insomniac baby, woken repeatedly out of a dead sleep by cries of boredom - and Mulder living half an hour away, unaware that his late-night restlessness is playing havoc in a new generation. Moving closer wouldn't help. Moving in would blow their cover.
It's a strange feeling, to realize just how much distance comes with the title of Secret Father Of A Child.
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But Mulder isn't wrong; it'll be harder to deal with, on her own, if he's not a good sleeper. She doesn't really care-- no matter what, she'll love him, she'll manage-- but it's strange to imagine single motherhood in this latest set of changed circumstances. When he's close, but kept at arm's length.
"Tomorrow," she hazards, "you can come see the sonograms. If you want. I have them at home."
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Maybe his absence at night, his inability to walk through her door and stay, won't make that big a difference.
"I'd like that." He's cautiously hopeful. All of those ultrasounds look the same, as far as he can tell - it's a scratchy shape in the darkness, vaguely baby-shaped - but maybe this one will be different. Knowing it's the first snapshot of someone who belongs to them, the only other person alive who shares any meaningful DNA with him...that seems like it'll matter. The longer he thinks about William, about what he could be to them both, the more consequential everything seems. "You can give me a baby anatomy lesson. The last time I saw one of those things, I wasn't sure which way was up."
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But there's time-- plenty of time- in the future for worrying, and they've got more than their share of challenges. She's got no interest in that right now: not when she has so many beautiful, wonderful things to share with him.
"The earlier ones can be hard to tell. Now-- he looks like a little person. Fingers and toes and everything," she says, unable to keep the joy out of her voice as she absently sets a hand on the swell of her belly. It's not as if she's lacked support, or worried about taking care of William on her own-- but it's different, to have Mulder back. No one else in the world could have his perspective.
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And beyond this part, the visual, there's so much more to know. "What's it like? Having him in there?"
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"It's... strange. For the longest time it felt almost theoretical-- knowing he was there but being unable to feel it, or see much change. When he got big enough to move around..." She frowns faintly, looking for words; but there's just nothing that does it justice.
"At first it was-- startling. It's hard not to feel like there's something wrong when it's sudden, but. After a while-- he made me feel less alone."
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William moves under their hands, shifting like he's trying to figure out how to get comfortable, and Mulder can't help but feel a swell of pride. The longer they're here, the more he sits with the idea of fatherhood, the more it feels like it could be a part of his life. For the first time since his return, he feels something like hope.
"Not so theoretical now," he murmurs, his gaze still on their hands. "And not so alone. What's his middle name?"
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William shifts and settles, and she feels her eyes well up again-- happy tears she doesn't shed, just a product of the overwhelming sense of being home, here in Mulder's arms.
"I hadn't decided," she admits. "Couldn't exactly call him William William to honor both sides of his heritage."
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William William Scully, though, might be a little much. William William Mulder Scully? It couldn't be on the birth certificate, he assumes, but it'll be there.
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"But-- now that you're back..." she bites her lip, a smile in her voice. She's so grateful she could burst. "We can decide on something together."
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Like something that would ever be relevant to their lives, after their first effort.
"Probable," he finishes. One more reason to wonder at the flesh beneath his hand, the fact that there's another life, another consciousness in there. "A girl would be easy, but a boy? Huh."
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At the time it hadn't felt possible to ask Mulder how he felt about it-- what he'd wanted from it. The way he's warming to the idea now makes her think, one way or another, they'd have figured it out.
"We have a little time to think on it." Not... that much, in the long run, but still. She's certainly ruminated on it-- trying to decide who else they might want to honor, coming up with nothing but restless uncertainty.
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Maybe this is how it was supposed to be, in the end. Letting go of the possibility made it happen.
"If we can't come up with anything else, we'll call him William Bernard," he says, as though this is the obvious choice, some elephant in the room they've both simply been ignoring.
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She's quiet a moment, trying to figure out where he's gone with that.
"Bernard?"
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The scolding is not particularly convincing because she's laughing, swatting lightly at his arm.
"I guess it's better than Melvin."
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"We couldn't do that. And going for three middle names is too much." Worse than William William.
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Absolutely not, and they both know it. But it does bring up the problem of the fact that there isn't really anyone else in his life worth naming a kid after. At that point, they're back to what sounds good, and Mulder's not really sure. Something boring, he guesses - Frank or George or Bill or Tom, anything but Sue.
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