Dana Katherine Scully (
faithfulskeptic) wrote in
what_wings_dare2022-09-09 06:57 pm
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🅧 Please explain to me the scientific nature of 'the whammy'

[ n a m e ; ] | Dana Katherine Scully |
[ c a n o n ; ] | The X-Files |
[ g a m e ; ] | spicy times in ![]() |
{ ACTION / NETWORK / VOICE / WHATEVER WELCOME }
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And beyond this part, the visual, there's so much more to know. "What's it like? Having him in there?"
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"It's... strange. For the longest time it felt almost theoretical-- knowing he was there but being unable to feel it, or see much change. When he got big enough to move around..." She frowns faintly, looking for words; but there's just nothing that does it justice.
"At first it was-- startling. It's hard not to feel like there's something wrong when it's sudden, but. After a while-- he made me feel less alone."
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William moves under their hands, shifting like he's trying to figure out how to get comfortable, and Mulder can't help but feel a swell of pride. The longer they're here, the more he sits with the idea of fatherhood, the more it feels like it could be a part of his life. For the first time since his return, he feels something like hope.
"Not so theoretical now," he murmurs, his gaze still on their hands. "And not so alone. What's his middle name?"
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William shifts and settles, and she feels her eyes well up again-- happy tears she doesn't shed, just a product of the overwhelming sense of being home, here in Mulder's arms.
"I hadn't decided," she admits. "Couldn't exactly call him William William to honor both sides of his heritage."
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William William Scully, though, might be a little much. William William Mulder Scully? It couldn't be on the birth certificate, he assumes, but it'll be there.
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"But-- now that you're back..." she bites her lip, a smile in her voice. She's so grateful she could burst. "We can decide on something together."
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Like something that would ever be relevant to their lives, after their first effort.
"Probable," he finishes. One more reason to wonder at the flesh beneath his hand, the fact that there's another life, another consciousness in there. "A girl would be easy, but a boy? Huh."
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At the time it hadn't felt possible to ask Mulder how he felt about it-- what he'd wanted from it. The way he's warming to the idea now makes her think, one way or another, they'd have figured it out.
"We have a little time to think on it." Not... that much, in the long run, but still. She's certainly ruminated on it-- trying to decide who else they might want to honor, coming up with nothing but restless uncertainty.
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Maybe this is how it was supposed to be, in the end. Letting go of the possibility made it happen.
"If we can't come up with anything else, we'll call him William Bernard," he says, as though this is the obvious choice, some elephant in the room they've both simply been ignoring.
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She's quiet a moment, trying to figure out where he's gone with that.
"Bernard?"
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The scolding is not particularly convincing because she's laughing, swatting lightly at his arm.
"I guess it's better than Melvin."
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"We couldn't do that. And going for three middle names is too much." Worse than William William.
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Absolutely not, and they both know it. But it does bring up the problem of the fact that there isn't really anyone else in his life worth naming a kid after. At that point, they're back to what sounds good, and Mulder's not really sure. Something boring, he guesses - Frank or George or Bill or Tom, anything but Sue.
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"I thought about William Fox." It's a slightly uneasy admission. William after him is subtle, Fox would have left no doubt. With him gone, there might have been plausible deniability-- she could've just been honoring a close friend, her lost partner. But now-- well, it feels obvious.
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And anyway, even as a middle name, Ringo's too much.
"William Fox," he repeats softly, thinking about it. It's not nearly as bad as Fox William, that's for sure, and there'd be no mixing the two of them up. But putting Fox anywhere in there is going to make everyone's ears prick up. William was her father's name, and it's a hell of a lot less embarrassing than sticking the kid with Ahab; there's a reason to use it that has nothing to do with him.
Which, he has to admit, gives new shine to the possibility of getting the middle name to himself. It's a bad idea, not least because he doesn't even like his name, but it's an irrefutable connection to him. He shouldn't want that. He can't put Scully's career in jeopardy that way. "We'd have to give up the game if we did that."
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"It's a little obvious." Which-- though it could cause problems-- is part of what she liked about it, before. Plausibly a tribute, but almost explicitly a statement of what they'd shared. Her only real worry was that it meant she was putting too much of her grief on their son.
Now, there's no question of grief; but there's no reason she'd need to commemorate him.
"Reynard?" she suggests, tone teasing, thinking of various cover identities and pseudonyms through the years.
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Dana Carvey's still relevant, they could still get away with it. No need to put Mulder into the name at all.
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"We'll have to keep looking. We could get a name book to look through."
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(None of the other people who've helped her-- Skinner, of course, and John, much as Mulder doesn't want to hear that-- feel quite right. She's sure they'd be touched, but it would be awkward.)
"We'll need something unimportant to argue about, after all."
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But she's right. They'll figure it out eventually, or they won't. "Maybe when we see him, we'll be hit with inspiration."
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The thought fills her again with a swell of giddiness-- that William will have the chance to meet his father after all, even if they're keeping it more or less on the down-low.
"Or we'll call him William P., for Placeholder."
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But for now, it's all a moot point. He reaches for the remote and flicks off the VCR and TV in quick succession; whatever interest he had in filling the awkward spaces with background noise has evaporated. Things are less awkward now, if still uncertain in places. Everything he needs to know - well, for this very minute, anyway - has been laid out before him, and all of it feels right.
He's left with a Pandora's box worth of emotions: amidst the uncertainty, beside his own concerns with what kind of father he can and will be, there's hope. And that's what he has to hold onto right now. (That, and the fact that he's gotten away without having to explain Great-Grandpa Wolf.) Mulder hefts himself to his feet and holds out a hand to Scully. "On a scale one to ten, how bad is getting off this couch?"
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