what_wings_dare | 🅧 Please explain to me the scientific nature of 'the whammy'

She gives up, utterly, on trying to be collected and calm about this; the tears have been held back too long, and he's here with her-- her, the size of an elephant and covered in snot-- holding her like she's precious, teasing her like they haven't spent months apart and hours locked in misunderstandings.

God, she loves him. If she made herself say it a thousand times it would still feel like an understatement.

"Holidays are special occasions." She's crying, and she's laughing a little, an odd sound like a hiccup. "Not near-death experiences."

That's the thing. Even the size of an elephant - a baby elephant, the cute kind that keep tripping over their own trunks - and covered in snot, she's the most precious thing in the world. Beautiful, brilliant, and so brave, and now she doesn't have to be. Even if it's just for the night, they're safe, and they're together; after everything she's given him, he wants to be able to provide her with that certainty.

"This is a holiday," he insists, because making her laugh in the middle of a crying jag might be the only real way to deal with anything. They've both come through so much, all for this moment. "We'll celebrate it every year from here on out: Mulder Comes Home Day. There'll be an exchange of gifts in the traditional location, my living room. You and me and William and the fish. And then we'll watch Manos: The Hands of Fate on TV."

It's hard not to feel enormous when she's usually so slight; the truth is it doesn't bother her. Scully has a streak of vanity, now and then, but pregnancy is something different. It's victorious-- each inch, each pound she's gained proof of the life she's creating.

The crying part, that she's less enamored with, but right now she lets herself sob and laugh against him, letting it out.

"And eat soup and dumplings?"

She'll call this a holy day, easily. They could fill a calendar with remembrances-- the day he first called her a spy, the months she spent wasting away, the moment they first kissed. The day she asked him to give her a child and the day he agreed. When he was taken, and when he returned, and when he was resurrected; there are dark days, after all, fasts and solemn remembrances.

"I like it," she mumbles, looking up at him, red-eyed but somehow still beaming. "You can say it more often than that, though."

She'll try not to cry every single time.

"Soup and dumplings," he agrees. Food worth eating on a night worth remembering - better this one than all the worst of their lives, when she was abducted and when she was comatose, when she was dying and when the in vitro failed. Mulder's not about to bury the bad times, but if he's going to commemorate anything, it's going to be something good. "And telling you I love you. I'll tell you every day if that's what you want."

Of course, that assumes they can say it every day without getting tired of it - or worse, without having to stop for Scully to sob into his chest. His fingers play with the hair at the nape of her neck. "Think you can stand a bad movie tonight? Or should we move straight to the part where I try to sweet-talk you into bed with me?"

You could make some argument that they couldn't have gotten here without the bad times, but this isn't the right moment for introspection. She doesn't want to think; she has her hands full with feelings.

The flood of tears is finally abating, thank God. She rests her head against him with a little sigh. Maybe she's not quite ready to say it every day, but she's determined not to let him forget she loves him.

"I like the idea of a movie. I can't swear I won't doze off."

"If you do, I'll pinch you." He demonstrates, hand dropping to her ass for it. "Give me a second to change."

This shirt needs a wash, thanks to the snot. He pulls it off as he walks away toward the bedroom, balling it up so he can sink a basket in his laundry hamper. When he comes back, it's dressed, and he takes the opportunity to move the food out of the way, too. "You want anything? Don't move a muscle, I'll get you whatever you need."

She swats at him, far too lightly to seem even remotely annoyed. God, she missed him so much. Sitting up, she runs her hands through her hair, which is about the only thing she can do to neaten herself up; the blotchy post-crying complexion will need time, and the worst of the mess is on his shirt, really.

"I need you to come back," she says with a coy smile. "But... maybe some water."

"Your wish is my command." Even blotchy, she looks good. He wasn't kidding about trying to seduce her later, uncertain though he is whether she'd be up for it. For the moment, he piles the remaining food into the fridge and fills a glass with water.

The glass, he hands to her, before he goes in search of his videotapes. They're all neatly lined up, more neatly than if he was the one keeping track of them, and eventually, he pulls the one he wants. Pop it in the VCR, grab the remote, and they're in business.

"I'm back," he tells her, sliding his arms around her as he sits back down on the couch. "Did you miss me?"

She drinks about half of it-- crying does a number on you-- and sets the glass on the table, then watches him shuffle through the tapes. It feels so ordinary and so extraordinary at the same time; movie night wasn't exactly a regular occurrence, but she's dozed off on his couch before. But Mulder is fresh from the grave, and she's brought an extra guest. It sounds unreal. If it isn't-- she doesn't want to know.

"Terribly," she says, snuggling in, curling around his arm. She presses a kiss to whatever bit of him she can most easily reach, and decides it's worth another.

"I love you."

He's waited so long to hear it at all, and she did probably ruin that shirt.

He pauses for a moment as an FBI warning comes up onscreen - don't steal this movie! - and looks down at her in surprise. Hearing it once in a night is a surprise; twice feels like its own kind of miracle.

But she's not crying, and if he doesn't make too big a deal about it, maybe she won't start again. At some point, she's going to give herself a headache.

He can't resist answering, though, rewarding her just as the Mystery Science Theater 3000 theme song starts playing. (Who, after all, would bother watching Manos without a few robots?) Mulder kisses her forehead. "I love you, too, Scully."

Don't get too used to it, Mulder. A lifetime of careful repression is not so easily undone-- just set aside in the heat of the moment. (She'll try. Because she loves him, and he should know it. Because William should know how much his parents love each other. Because she wants to be the sort of person to whom it comes easily.)

With a soft sigh she relaxes against him, and apart from the prolonged crying jag that's left her eyes faintly itchy, everything in the world is perfect.

"This is a really bad movie," she murmurs after a bit, quietly delighted.

Tonight's special. Nothing about it has to carry forward beyond this moment (though if it does, he certainly won't complain). Scully curled up beside him, murmuring that she loves him, the child she's carrying resting against his side - he couldn't ask for more.

"Terrible," he agrees. He's slumped down some, his feet on the coffee table, and onscreen, Torgo's theme music plays. "One of the worst I've ever seen, if you want to know."

There's probably some happy medium between never and twice in one night she can aim for. It's enough, usually, that he knows it-- and she usually doesn't doubt. On her own, though, it was hard to feel so certain. The idea of losing him forever-- without ever telling him, honestly, that he had her-- was too much.

"How many times did you watch Plan 9?"

Maybe they could get married. Maybe it'd be enough, to live like this-- to have him come home to her and William day after day, to give up mystery for stability. Right now-- drowsy and content, worn out with tears and overwhelmed with relief-- it seems possible. (She knows herself, though; she's too stubborn and curious not to want to keep her hand in.)

"Forty-two." These are the kinds of things worth keeping track of, naturally. Mulder glances over at her, his mouth tugging up at one corner. "But we can make it forty-three any time you want."

Said like a come-on, possibly because it is a come-on. This is so comfortable, so like before the abduction - only better, he thinks, because there's no real sense of secrecy tonight. She's here, she'll stay here, and anyone who's surprised by that can direct their commentary to the nearest hole in the ground. It's enough to make him want to say stay, move in - or I'll move in with you, or we'll find a new place -

It'll look different tomorrow, probably, but right now, he wants to believe.

That gets a thoughtful hum; it sounds nice, not because she wants to watch the movie, but because staying curled up here with her head on his shoulder is the closest she's felt to peaceful since before he left for Oregon. The world will continue to move around them, but they can stubbornly stay right here for a long while and refuse to be moved.

"No double feature tonight," she decides. One bad movie is bad enough. But in its way it's a counter come-on-- because after this she plans to let him take her to bed, and while it's probably not the best way to be subtle about William's parentage, she's determined to spend as many nights together as they can get away with, for the foreseeable future.

"But I could fall asleep watching it some other time," she teases.

"I bet," he agrees, his attention having shifted entirely away from comedy interstitials featuring the crew of the Satellite of Love. The movie's background noise, an excuse to hold Scully and mumble stupid conversations and maybe kiss her. "Let's hope William inherits your ability to fall asleep. It's going to be a rough time otherwise."

Will he even have to deal with that? Imagine Scully with an insomniac baby, woken repeatedly out of a dead sleep by cries of boredom - and Mulder living half an hour away, unaware that his late-night restlessness is playing havoc in a new generation. Moving closer wouldn't help. Moving in would blow their cover.

It's a strange feeling, to realize just how much distance comes with the title of Secret Father Of A Child.

"I think it was a defense mechanism. We moved around so much, and there were so many of us..." Three kids, then four, in little base housing; and she was always busy, a trait she's never been able to shake. Finding moments to rest in between activities, fights, trips-- it was a necessity. William, she hopes, will have a little more peace.

But Mulder isn't wrong; it'll be harder to deal with, on her own, if he's not a good sleeper. She doesn't really care-- no matter what, she'll love him, she'll manage-- but it's strange to imagine single motherhood in this latest set of changed circumstances. When he's close, but kept at arm's length.

"Tomorrow," she hazards, "you can come see the sonograms. If you want. I have them at home."

"Any port in a storm." That's the thing about sailors, they're supposed to be able to sleep anywhere - and Mr. Scully was a Navy man. Maybe Scully picked it up from him; maybe the baby will pick it up from her.

Maybe his absence at night, his inability to walk through her door and stay, won't make that big a difference.

"I'd like that." He's cautiously hopeful. All of those ultrasounds look the same, as far as he can tell - it's a scratchy shape in the darkness, vaguely baby-shaped - but maybe this one will be different. Knowing it's the first snapshot of someone who belongs to them, the only other person alive who shares any meaningful DNA with him...that seems like it'll matter. The longer he thinks about William, about what he could be to them both, the more consequential everything seems. "You can give me a baby anatomy lesson. The last time I saw one of those things, I wasn't sure which way was up."

It's hard to guess how they're going to make this work. She doesn't want him to be a stranger to their son, but she doesn't want to endanger them-- or the work-- or the boy. Maybe from time to time he can stay, at least. She's not sure she can bear the thought of being completely without him.

But there's time-- plenty of time- in the future for worrying, and they've got more than their share of challenges. She's got no interest in that right now: not when she has so many beautiful, wonderful things to share with him.

"The earlier ones can be hard to tell. Now-- he looks like a little person. Fingers and toes and everything," she says, unable to keep the joy out of her voice as she absently sets a hand on the swell of her belly. It's not as if she's lacked support, or worried about taking care of William on her own-- but it's different, to have Mulder back. No one else in the world could have his perspective.

"Oh, good. I was hoping for those," he jokes. None of those little black and white images are going to really capture him, the fact that he is a little person (or will be, anyway), but he's kind of fascinated by the idea. A hand raised, feet tucked together, a bulbous head - it's possible to imagine, especially since every sonogram he's ever seen has looked like the baby in Eraserhead to him. Generic, but with room for him to imagine Scully's little mouth, maybe his nose. Anything's possible right now.

And beyond this part, the visual, there's so much more to know. "What's it like? Having him in there?"

"Uncomfortable," she says immediately, but with a sort of beaming pride that takes any sting out of the answer. She reaches for his hand to drag it down with hers, so they can sit with hands clasped over the miracle they've made together.

"It's... strange. For the longest time it felt almost theoretical-- knowing he was there but being unable to feel it, or see much change. When he got big enough to move around..." She frowns faintly, looking for words; but there's just nothing that does it justice.

"At first it was-- startling. It's hard not to feel like there's something wrong when it's sudden, but. After a while-- he made me feel less alone."

He's not about to quibble over whether it ought to be comfortable to haul several extra pounds of baby around with her, let alone feel bad about it. Even if he was gone, something of him remained - delighting her on some occasions, probably driving her crazy on others. Exactly what Mulder would have done, more likely than not, if in a (very slightly) less intimate way.

William moves under their hands, shifting like he's trying to figure out how to get comfortable, and Mulder can't help but feel a swell of pride. The longer they're here, the more he sits with the idea of fatherhood, the more it feels like it could be a part of his life. For the first time since his return, he feels something like hope.

"Not so theoretical now," he murmurs, his gaze still on their hands. "And not so alone. What's his middle name?"

Even the discomfort is, in its odd way, a triumph. She remembers trying to swallow back bitter jealousy when Tara was pregnant and grousing about stretch marks-- knowing her sister-in-law was in the midst of something she couldn't have. The truth is she'd always wanted children in a vague, unhurried way-- until it stopped being an option. That had been the worst time to try and grieve possibility, when she should have been overjoyed for her brother. (And she was, truly. Scully has always been good at compartmentalizing. But, God, there had been some difficult nights.)

William shifts and settles, and she feels her eyes well up again-- happy tears she doesn't shed, just a product of the overwhelming sense of being home, here in Mulder's arms.

"I hadn't decided," she admits. "Couldn't exactly call him William William to honor both sides of his heritage."

"Oh, I don't know about that," he says lightly, fingertips tapping against what he's chosen to assume is William's head. "It seems to work for Billy Dee Williams."

William William Scully, though, might be a little much. William William Mulder Scully? It couldn't be on the birth certificate, he assumes, but it'll be there.

At this angle he can't see the way her face scrunches up, but surely he can guess. The dubious little hum certainly gives it away.

"But-- now that you're back..." she bites her lip, a smile in her voice. She's so grateful she could burst. "We can decide on something together."

[ n a m e ; ]	Dana Katherine Scully
[ c a n o n ; ]	The X-Files
[ g a m e ; ]	spicy times in noctiumrp

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I could swear I already tagged this oops

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