Dana Katherine Scully (
faithfulskeptic) wrote in
what_wings_dare2022-09-09 06:57 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
Entry tags:
🅧 Please explain to me the scientific nature of 'the whammy'

[ n a m e ; ] | Dana Katherine Scully |
[ c a n o n ; ] | The X-Files |
[ g a m e ; ] | spicy times in ![]() |
{ ACTION / NETWORK / VOICE / WHATEVER WELCOME }
no subject
Really she doesn't mean to shut him out; there's just so much that needs to be experienced to believe.
She hums in agreement, and tugs him down a path back out of the park, heading for the GemSci headquarters.
"We'll do a base line sometime after you're back to normal. It'll be interesting to see how human anatomy corresponds to plantlike structures."
no subject
"If you have anesthetic, we can peel off some bark and see what's underneath," he offers dryly. It's like clockwork - when he's back to thinking about how his body's changed, it stops feeling like his and starts pinging some instinct to pull it apart and see how it works.
no subject
For God's sake, Fox. She's not entirely surprised by this self-destructive turn of mind but no way is she going to encourage it. Or take up whittling.
"I'd learn less from that than from a scan, anyway. We're not doing anything today we can't repeat when the transformation wears off."
Not to mention the fact that she's half-wondering if she'd be able to feel it if he got hurt; the difference between her awareness of his mood now and normally is subtle, but she's played around enough with deeper levels of synchrony to think it's within the realm of possibility.
"Scans, then I need some breakfast, and after that we can explore, if you like."
no subject
Judging by the rest of the technology here, a mix of way-beyond-home and kiddie fantasy movie - he might still be stuck on the skywhale thing - a scan might be enough, anyway. And there's still the matter of breaking off a few of the branches on his back, or maybe all of them, in search of good samples. Pruning the grass on his head. Picking a bouquet out of the roses he's vaguely aware are threatening to bloom again. The mix of fascination and disgust with which he regards this shifted form still has plenty of outlets.
"If you're hungry, we can start there." He's not, but he's also not in that much of a hurry to be anywhere.
no subject
"Science first. Maybe you'll work up an appetite."
Could he survive entirely on synchrony and sunlight? Curious, but she doesn't want to test the theory.
"You'll have to show me where you're staying, too." She'd make him a key, but maybe it's better not to-- she wouldn't want to be caught with other guests. Wouldn't want to stumble in on him either.
no subject
They do go to the lab first, where scanning and samples happen: none invasive, even as Mulder picks at his rough skin like he's trying to see if he can flake some bark off with a minimum of fuss. Instead, they cut beach grass from his head, another rose, and break off a twig from his back - the thinnest ones lack nerve endings, but the heavy branches they grow from don't, and Scully refuses to entertain suggestions of taking a chainsaw to a bough in the name of science. (And Mulder knows it's a bad idea, he does. The compulsion still comes back whenever he's focused on his body.)
After that, they brunch. And wander around. And hold hands, despite the fact that he's pretty sure they don't need to at this point. The city becomes more familiar over the course of the afternoon, the time slipping away faster than he might have guessed it would. There's no case to fixate on, and they still have reason to enjoy each other's company. Of course they do - but outside the context of Scully, it'd be confounding to want to spend that much time with a colleague. God knows he wouldn't sightsee with Skinner, given the opportunity.
On the way back to his place, Scully insists on picking up takeout, and Mulder only puts up a token complaint. (He's getting hungry, just not as hungry, and he wants to hear more about...well, everything.)
"Home sweet home," he mutters, pushing the door open and flicking on a ceiling light. There's...nothing in there. A pile of blankets and pillows in the center of the small living room, and that's about it.
no subject
The thing is that even when he's bad company, Mulder is familiar and solid and reassuring; a constant that has let her weather the storms of their work and her life outside it alike. She is more glad to have him here than she knows how to put into words, and doesn't have to put into words to convey.
At the end of the day, he takes her home to-- well, honestly, pretty much what she expected of him. She can't help but laugh.
"Mulder, you don't even--" Not even a card table. Good Lord. "We're taking you shopping tomorrow."
no subject
Though honestly, if Scully's laughing at the fact that he's found a way to have an empty apartment that's simultaneously still messy, he can't complain. It means she's here.
Kicking his shoes off, he shuts the door behind them and makes his way over to the nest that serves as every piece of furniture in the house. The bags of food get set down on the edge, and he sits in the center of the blankets, as though this is second nature. And in this body, with a shape that makes chairs difficult, it may as well be. "C'mon, we'll call it an indoor picnic."
no subject
"You at least need a couch and a table. Something with locking drawers if you're going to get a gun," she points out, rolling her eyes as she delicately sits cross-legged at the edge of his fabric sprawl.
She'd been planning to stay. Not on asking to stay or even insisting on it, just on doing it; this certainly complicates that notion. It's one thing to take the floor while he's on the couch or let him insist on giving her the couch, but there's not even that flimsy attempt at chivalry. There is not only one bed, there is no bed. She'll make it work. (It's fine. It's not weird.)
"Next time, there's a place I like in Primavera-- it's a little like Thai food," she says idly, opening up her salad.
no subject
Locking drawers probably won't get as much use as they probably should, though - how will he startle awake and pull guns on people if his guns are locked up?
Blissfully unaware that he's hosting a sleepover as well as a picnic, he pulls out the sandwich he'd ordered. (It's mostly meat - eating vegetables feels weird right now.) "Sounds good to me. It's weird that so much of the food here is recognizable, isn't it?"
no subject
"A little," she agrees. "I haven't entirely figured out how much of it is a matter of perception; if I order tea with ginger is it really ginger or just some native equivalent? My goat-milk lotion, they aren't really goats. Just something very goat-like."
no subject
(Potatoes don't count as vegetables once they're fried. Mulder can put them away like they're nothing.)
"If you want to go shopping tomorrow," he continues, "I could use a new aquarium. Some weird fish. Maybe an alien treasure chest."
no subject
Is it insensitive of her to be eating a salad? For that matter, is she eating salad because she likes salad or has she got plants on the brain, like buying that giant tub of chicken in Arkansas? (Really, she eats a lot of salad, it doesn't mean anything.)
"There must be a pet store somewhere," she muses. "You could get a little submerged Ford Taurus instead of a floating UFO."
no subject
Whatever "they" end up being. His ability to care for pets always felt slightly variable at home - would be come home one night from a long trip and find the fish belly-up? - but he's got a lot less to occupy his time here so far. Something unapologetically alien looking by Earth standards, with lots of legs, sounds ideal.
It's quiet for a bit, the two of them there in his empty apartment, fishless and content. Eventually, Mulder says, "We'll have to pick up a television, while we're at it. These little screens aren't the same."
Turns out he needs a sickly glow on him to fall asleep, even on another planet.
no subject
"I haven't caught much alien programming," she muses. "Their books are interesting-- I can't always tell what's fiction and what's history." Maybe it's all the same. "Not interested in more video games?"
no subject
The suit itself is nowhere to be seen - it's one of the few things hung up in the closet right now. He hasn't shaken the mid-90s perception of video game equipment as too delicate and expensive to risk.
Never mind his sleep schedule, though. He dips a fry in a sauce more reminiscent of mustard than ketchup. "Of course, if you want to spend the night fighting them off with me..."
no subject
"And you're not getting away with another night not sleeping."
no subject
no subject
It's not seriously threatening in any way, shape, or form, but then again, she did shoot him once already, so. You know.
"There's a lot going on here," she points out, poking his knee with the handle of her fork. "You need to be able to keep up."
no subject
"Have I given any indication," he says, swallowing his last french fry with a smile, "that I'm not keeping up? I'll double my caffeine intake if you're worried."
But the reality, isn't going to be stated unless it's dragged out of him and probably doesn't need to be said anyway, is that the rumpled blankets are more sign of restlessness than any kind of sleep. He gets at least a few hours every night, and that's good enough.
Probably.
no subject
And... fail to leave she does. She eats and tucks the trash back into the takeout bag, pokes at her network device idly, they chat about this and that, and Scully makes absolutely no move toward leaving.
Eventually she does yawn.
no subject
"Probably too late to catch a cab," he says, glancing out the window. Does this place have cabs? Not that it'd help, if the driver ended up infected with the curse. "Look, you take the bed - I can go into the other room."
'Bed' in a manner of speaking, anyway. He'll just flick the lights out on here, and maybe he can sit on a different floor, see if it changes his mind about feeling drowsy.
no subject
What it means is: it honestly doesn't matter if he sleeps on the floor. Not for a night.
"We'll be fine," she says decisively, like it's not weird to take your friend to bed. It's against protocol, sure, but there are always extenuating circumstances. The equivalent of a town with one motel room left. It's fine.
She does soften a little, though, when she looks at him.
"Synchrony," she points out. "It'll help you relax."
no subject
Scully sounds like she's made up her mind. And yet, he can't help asking, "Are you sure?"
She's stubborn, but the synchrony marks a pretty significant difference between motel rooms in the boonies and falling asleep side by side on the planet of casual sex. There's a sensual component in general, if not for them personally - and if they kick dirt over the line, Mulder's not sure they can unkick it.
no subject
Who can say. In her own mind it's easy enough to justify: he doesn't sleep, he needs to sleep, it's like prescribing a tranquilizer without the pill casing. She isn't offering anything lascivious.
"Just lay down," she says, shifting to stretch out her own legs and scoot a little closer to the heart of the blanket vortex.
Mulder may have hit upon an instinctual link with his herbaceous abilities but Scully has more practice than he does with synchrony, and certainly more practice with emotional control than most people. She reaches to touch him and this time the thread of synchrony is more obvious: deep and focused, calm and suffused with her drowsiness. It's just a brief brush at first, an example, before she rolls onto her side facing away from him, figuring it will be a little less awkward that way.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)